The Dynavector P75 has been the go-to phono stage in New Zealand since it’s introduction in 2003. Over time we’ve seen a series of significant upgrades and now we’re thrilled to introduce you to the MK4.
The new Dynavector P75MK4 is the most substantial re-working of the design with by far the greatest advance in performance. Outwardly the P75MK4 has been transformed from a very basic little box to a much more sophisticated construction, with curved aluminium extrusion side panels, a more appealing front and far better finish. Find out more here.
World first review – the Monitor Audio Studio
The Monitor Audio Studio has recalibrated my expectation of how a compact speaker can perform – the resolution levels and clarity are the best I’ve heard and lay bare everything that is happening in the system. The integration between the metal cone bass/mid drivers and ribbon tweeter is seamless. The speed, control and pace are exemplary.
At their best in an almost near field situation fitted to their dedicated stands, with a wide spread and carefully adjusted toe in, the Studio’s project a holographic soundstage with uncanny accuracy and precision.
The performance delivered from the mid bass upwards is at the very least equal to that of Monitor Audio’s flagship PL-500-II from which the Studio is derived but this much more compact and affordable model is by far a better choice for smaller rooms and doesn’t require anything like the same investment in front end electronics to sing. The Studio is an insight into the values of Monitor Audio’s design team – read the full review.
Is there is something missing from your music?
It’s a cool picture that Sonus faber paint – relaxing at home in your favorite chair, you’re able to relax and indulge with music. But your wonderful speakers will remain silent without cables…
This much we all know. You most certainly will have speaker cables within your own system and will have made a conscious choice to select a cable that would likely improve the sound.
Now, if you look closely at the speakers pictured above, you’ll also see there are 4 terminals at the back. Almost all worthwhile loudspeakers are set up like this to allow bi-wiring. Yet most such speakers remain connected with a single run of cable. Is this the same for your system?
This isn’t a bad thing – while you might entertain the idea of bi-wiring, the cost, complication and perhaps the nagging doubt as to how effective it really would be when compared to other options may have all crossed your mind.
What if there were a solution that was better, easier and more affordable?
Sometimes it’s the obvious that eludes us and it takes someone with a talent for doing things differently to recognise the path to better sound.
The new KLEI QFlow7 Bi-wire jumpers are a distillation of everything Keith Eichmann has spent a lifetime working on. His best cable, best plugs and a unique configuration all combine in a pair of short 10 cm jumper cables that you can plug into your system and literally transform the sound you hear.
While loudspeakers which come in at over 20,000 euro are going to be but a dream for most of us, the review linked to below is worth reading, not only to gain an insight into the serious high end, but also to see how some much more affordable products we put in NZ homes rate in this context. You’ll see the PrimaLuna tube amplifier finds honourable mention and the NuPrime ST-10 gets an even more enthusiastic recommendation.
‘the ST-10 really brings the Sabrinas to life! Where all other transistor amps seemed dynamically a little restrained and only the PrimaLuna provided the kind of subjective dynamic swing that I crave, the NuPrime ST-10 has a kind of energetic presence that none of the other amps (transistor and tube) could match. Transient crispness and dynamic impact are really startling, better than with any of the other amps. Bass with the ST-10 is also incredible, not in a big and fat kind of way, but tuneful and articulate with just the right amount of pressure. Meanwhile the NuPrime’s very pure tonality and open and communicative character further increase the Sabrina’s timbral believability.’
Read the full review here.
We’ve also got some really exciting news from NuPrime in the last few days – the are 3 new high end amplifier models on the way. First up will be a mono version of the ST-10 above – the new ST-10Ms will be much more powerful, and even better sounding – the perfect upgrade for anyone who wants more out of their music.
Even better will be the new Reference 20E. Like the ST-10M above these are mono amplifiers, but each around twice the size (although this only makes them normal width and they’re still in a slimline profile.) This is a completely new design from Reference 20. which will be a big improvement on ST-10M and that will surpass Ref 20’s 420 watts per channel in power and resolution.
We hope to have the new ST10Ms here before the end of March and the Reference 20Es shortly afterwards. And offer generous trade in’s on existing NuForce and NuPrime models.
Reacquaint yourself with the NuPrime 10 products here.
Awards for Monitor Audio
We’ve continued to enjoy the new Monitor Audio Silver 6G 300s since we first posted the first full review of this model here. Just to show we’re not too far off the mark in our praise of these speakers, the Monitor Audio Silver 300 has received the prestigious Product of the Year award from The Absolute Sound at their High End Audio Product of the Year Awards.
In their January 2018 issue, Robert Harley described the Silver 300 as having “a compelling array of musical virtues”. This included, “terrific speed on transients, effortless reproduction of dynamics, and overall sense of musical coherence.” The bass was also praised, with Robert saying it is “detailed and resolved, providing a clear sense of pitch”.
The full feature will be in The Absolute Sound: Issue #279.
Add this to the four What Hi-Fi Product of the Year awards which they have just received for 2017 and it’s clear that these are speakers you should seeking out.
We’ve had a number of enquiries lately from our original Image pages – we liked these speakers a lot at the time and really felt there was a case for unconditional support of NZ made.
But the reality is that overseas specialists have upped the rate of development, producing better and better products which now eclipse them. That said – we still work with Gary Morrison and Ross Stevens at Pure Audio so if there is a niche for the local product we’ll be there. And it’s worth knowing that there is NZ input in products from Dynavector and the Well Tempered Turntables but these days it’s all about collaboration and going to where the best resources are.
Working from home has given me much more time to both listen and write. For analogue enthusiasts, you may have missed them the first time around but we’ve got new pages up on both the Well Tempered Simplex 2 turntable and the Dynavector cartridges. What has been most striking for me that with all the components and systems we’ve set up in our new home showroom, the improvements made over the run in period (let’s not tempt fate and call it burn in) have been greater than we’ve ever experienced before – and the time involved is also stretching out. It’s not that they aren’t sounding good from the outset – but that one, two or even three months down the track, were still getting moments where it’s become obvious that the sound quality has stepped up significantly from the previous days.
Our partnership with Keith Eichmann and his KLEI cable range has a lot to do with this. I never would have credited the scale of improvements made by these cables unless I’d heard it first had but every few weeks we get vindication in feedback from clients. (testimonials page). We’re getting much greater transparency in all our systems because of this, and not only do the cables also have a well documented run in period of 300 hours or more, but they make the progress of all the other components in the system much more obvious. So if you combine the individual effects of each components and cable, by the time we look at a system as a whole, the concept of running in has gone from subtle to transformative – even on systems that we might have regarded as quite modest.